Devolution of Design – origins, goals and lessons from developing my indie game “Postmortem”

Postmortem was not the game I initially wanted to make – it (de)evolved from many over-ambitious designs and prototypes inspired by studies in ethnic conflict and a book a friend lent me. But my goals never changed.

Belfast in the Old Days
Streets of Postmortem as I always imagine them. One of many reference photos inspired by my year in Belfast

Origins

After college, I spent a year pursuing my masters in North Ireland, studying about ethnic and ideological conflicts such as the Troubles, Rwanda, Palestine and Isreal or the Bosnia-Herzegovina genocide. While it had nothing to do with game development, it really influenced me personally and inspired many themes and motifs I wanted to explore via games. That is when I first started writing design docs and coding what would eventually evolve into Postmortem. The idea of playing as Death came a year later, after I read Death with Interruptions by Jose Saramago. All this further fueled by the advent of narrative / experimental indie games.

My main game inspirations were The Walking Dead and The Last Express (realtime meaningful choices, narrative, gameplay), Home and Stanley’s Parable (the way they handled building narrative as response to player choice). Alpha Protocol was also a great example of complex dialogue and malleable story line, and Arcanum also inspired the overall “feel” and atmosphere (hence why most of my early graphics and music placeholders were taken from it).

The Island Early Prototype
Early prototype of “The Island” and the conversation system I reused in Postmortem

My first game design and prototype was a complex RPG “The Bridge” akin to Fallout in gameplay: you were thrown into a country torn by ethnic conflict, helping one of three big factions win a bid war for constructing an economically-vital bridge and indirectly influencing the future. Needless to say, that proved a little too ambitious, so I scaled down to a more manageable action-RPG game called “The Island” that would explore the concept of player’s honesty. But that too was a bit too big at the time, so after a few more ideas and late-night Facebook chats with a friend, I finally arrived at Postmortem, a project of just the perfect size and scope. That’s how the creative process works – old projects never die, they merely evolve…. and maybe one day, come back to life again.

Goals

Through all these concepts my hope has been to involve the player on a personal level, going for the opposite of traditional game’s “escapism”. I don’t want players to think “how do I win?” but “I must take an innocent life, how do I decide?” Even if you believe your choice will have beneficial consequences, do you really have the right to take someone’s life based on an assumption? What if your “hunch” is wrong? How much research is enough to warrant an “educated guess” – or perhaps, the less you know the fairer you are? I really want to put the player in Death’s moral shoes and consider that sometimes our choices might have unintended consequences.


Postmortem Alpha Screenshot
My study of ethnic conflict inspired many themes and settings for my games
North Ireland Rural Reference Pic
Beautiful North Irish villages, another architectural inspiration for The Island
That’s how the creative process works – old projects never die, they merely evolve…. and maybe one day, come back to life again.



Evoking those questions in the player’s mind is definitely challenging. In my first alpha test, my tester based their playthrough around a certain problematic aspect of the game world, assuming that “fixing it” was the goal. It made me realize just how ingrained and natural the “play-to-win” mindset is. It is difficult to dispel that notion, but given the numerous design tweaks we’ve undergone and the feedback from our recent Beta Testing, we’re pretty pretty confident we’ve hit the mark!

Lessons Learned

One of the keys was scaling down to a smaller design focused on just a single idea, and going back to 2D. Simpler design proved far more manageable and finish-able, especially for just a single guy, and 2D was much easier than trying to make 3D models and textures with my lacking programmer-art skills. Plenty of royalty-free sprites, tilesets, vfx etc. can be found online at sites like OpenGameArt.org or CGTextures.com – perfect placeholders while prototyping.

The Bridge Early Prototype Screenshot
The complexity of a 3D engine and asset creation ultimately made me scale to 2D

The second key was getting the fully playable Alpha prototype actually finished back in January 2013. From the initial main menu, through the whole game sequence with all the features in a basic form, all the way to end credits. Sure, the graphics were placeholders ripped from Chrono Trigger, the menus simple white-on-black title cards with no mouse support, and some features barely working… but it was playable. It was a game. It proved I could get it done; and it really shifted my mindset from “I am making the game” to “I made the game; now I refine it”.

And last, perhaps most important key, was setting a non-neogtiable, but reasonable release date for myself. Like previous attempts, I did reach a point of losing motivation and fizzling out. Not wanting to waste my efforts again, I looked at what I had to do, thought how long it might take, and picked a date. Whatever state I could get the game to by then, even if with placeholders or missing features, I’d just release it. Period. It was exactly what I needed to boost my motivate and build a development timeline around. Even tho much has changed since, two weeks before release, I must say – dear god, it worked!

KEngine Editor
I developed quite a robust engine initially. Half of it makes up Postmortem today

With something to show for myself, I announced the game and slowly (and sometimes frustratingly) built a great team of artists. It was difficult at times, with people coming and going, ignoring my emails for weeks, or flat out not delivering promised assets. But through that, I managed to “filter” out the flakes and keep the talented and reliable artists. In the end, it’s proven more than worth it, as their input (both on artistic and design fronts) really pushed the game to a new degree of quality that surpassed my own expectations.


Find out more about Postmortem and Vote on on Steam Greenlight!


What is Postmortem?

Free narrative adventure – Freeform exploration, Rich dialogue and Meaningful choices
play an Agent of Death who could affect the Fate of a conflict-torn Nation! Think The Walking Dead meets Home and The Last Express, with a dash of To The Moon

You are an agent of Death sent to take ONE life
from a cast of influential and ambitious characters in a complex setting of a country torn by violent domestic conflict and industrial revolution.

How can Your Choice change the fate of the nation?
what unintended consequences could your meddling have? Is your educated guess correct?

Online Stats to compare Your Choices with!
anonymous aggregate stats of everyone’s playthroughs will let you see how your own choices compare! Are you one of the good guys?

How do you decide whom to Kill?
it’s *entirely* up to you – Learn as much as you deem sufficient and see the consequences. And after… well, I’m not at liberty to say ;)